Hello my codename is ~
Tourmentedsouls and I'm a geek.
I will be playing WoW after all...
UPDATE: I AM NOW OFFICIALLY PART OF THE GREAT UBISOFT FAMILLY AS A GAME TESTER, IN THE QC TEAM!
Well a new group is up,
is a replacement for the nude insider created by
pointr: Go support it now!!!!
What happenned at
is making me quite angry. I'm happy tough that
did react quite mercilessly.
At first I was like the others, just stunned by the news that the group had closed. It was a good one and the principal one that featured nude art. But it appears it had become a f@#$ing scam
[link]
I'm tired of people ripping art... it never ceases, and in this case it was for what ??? CiALIS !!!
Man somethimes people are bastards!
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I tried to watch
Rabbits, and I must say, tough Lynch is one of my favourite filmmaker, this one is pretty far from my reach, I feel dumb and I had to stop it, because my mind could not bear it, I was numbed and hyptnotised by this "thing".
Ted Goranson wich is one of my favourite film commentors at the moment says this ...
Alice Inverted, 10 October 2006
Lynch really elevated my opinion of him here. This is very, very well constructed. It is the highest art.
That means that any "explanation" will be worthless. You can read some other material to discover something of what you will see.
Its unsettling and strange, hypnotic and lyrical. That it is in several "episodes" is all a part of how certain familiar forms are subverted to give us something that has identity and also has a sort of meta-identity defined by deviance from the expected.
My observation will be highly personal. I see this as a sort of "Rosencrantz and Guildenstern" but instead of referencing "Hamlet" engages "Alice in Wonderland." It fits, especially if you are inclined — as I am — to blow Alice into something as world-swallowing as Hamlet. Where Hamlet is all about what it means to sit in the world, Alice works at more refined level, being all about what it means to carry a name in the world.
One is about being and the other about what we see and acknowledge about being. Its this second conceptual space that Lynch inhabits, always has. His "firewalking" TeeVee stuff bends notions of representation and discovery, the amusement being not in what we see, but in the difference between what we expect to see.
Let's look at the entire vocabulary he has toyed with. First, he acknowledges the audience (laugh track), camera (static but in and out of focus), narrative (drawn more overtly by its fragmentation), framing (with very formal, abstract composition) and "acting," which here consists more of pauses and empty spaces than anything we normally associate with acting.
And then there's the bending of the form. We have a demon that appears twice. Its noir drawn tightly, especially since there is a hint that the demon or his avatar as perhaps a "lost dog" is driving the entire situation.
And then we have three "performances," one each by the three characters. These are accompanied by an ignited set, literally ignited. The performances, which each occupy an episode, are pretty transcendent in terms of what we would see in an ordinary drama. In such a case, each would "solo" in such a way that their soul was revealed. Its the challenge of the writer to weave this into events in such a way that we don't see the performer revealing his character overtly. This is different; all pretense is removed. The character enters and opens its heart with no narrative baggage. What the character tells us actually has more information about context than the surrounding context provides.
Ted's Evaluation -- 3 of 3: Worth watching.
... ...
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n0v4 out.
Clubs:
Stamps ( Ima gonna clean up later)
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,.-*8 I'm Back!!!! 8*-., 
Wow!
Eager
